December 30, 2009

Designers are known for drawing inspiration from one and other from time to time, but once in awhile a label can go too far, with the end result resembling an almost exact copy of another designer's creation. That's Danner Footwear's current source of contention. The brand, established in 1932, has been producing combat-style boots since then.
Rag & Bone, whose designers Marcus Wainwright and David Neville established the brand in 2002 with the aim of 'making clothes that they and their friends would love to wear everyday,' have seemed to have found their niche with clothes and accessories until now. The label has been accused of copying Danner Footwear's combat boot and are now facing a copyright infringement lawsuit as a result. The boots, which share a striking resemblance to those of Danner's, had previously been sold in stores and online at Saks Fifth Avenue and Barneys New York, but have since been removed following the mention of the lawsuit.
Read more after the jump
December 21, 2009

Oh, YSL, you continue to draw us into your very fashionable web. The luxury brand has launched 'New Vintage II', an environmentally friendly capsule collection that uses excess fabric from the company archives to create new and modern designs that still feel retro. A total of 121 pieces are being sold at YSL flagship stores in London, Paris and New York, so should you be browsing in those cities for holiday gifts - to others or yourself - we'd suggest making a purchase.
The first New Vintage collection (for Barneys New York) sold out in days, and we expect the mania to follow this round of pieces, too. Shop wisely and soon!
July 23, 2009

You know the saying, "I wouldn't be caught dead in that"? Barneys New York tried to show customers clothes, by Helmut Lang and A.L.C., that they would want to be caught dead in, and the department store apparently got too literal for some people's tastes.
Barneys has removed this vestibule display that features mid-murder mannequins with "blood" spattered on the window. Creative director Simon Doonan says "this clearly crossed the line".
Is this display too extreme for your taste, or do you, in a strange way, simply think it illustrates a concept well?